"I can't see through my eyelids!"

Saturday, 09 May 2009

  • " You can be as mad as a mad dog at the way things went. You could swear, curse the fates, ..."

     " ... but when it comes to the end, you have to let go. "

    "red head"

    on the beach
    wild eyes
    no bra
    hair like flames
    feet buried in the sand
    lips in a loose pout

    almond eyes closed
    head tilted back
    neck exposed for the kill
    toe polish
    neon green
    freckles on the fly

    sun on her face


    "Bus Ride"

    Across from me
    a woman with large pores
    stares out the window.
    The glass is foggy
    with her eager breath -
    maybe she dreams,
    of getting out,
    of rushing through tall grass,
    of laundry content on the line,
    of fussy fingers greeting her hair,
    of lazily closed eyes,
    of plush, rich, intimate waves;
    maybe she dreams of getting out.
    Beside me
    a man with an umbrella
    reads a book.
    The pages scuffed by his thumbs -
    maybe he reads
    to get away,
    to titillate his white matter,
    to distract the grey,
    to touch something barely living,
    to break habitual ground,
    to sink into an author's bay;
    maybe he reads to get away.


    "Blue-green"

    An automobile accident in slow motion
    glows for twelve seconds before it happens.
    I find myself wondering what color will shine
    out of you, burst into being, before you crash,
    crumple up like an aluminum Coke can,
    kick it, tickle that refrigerated pickle, and leave.

     

Wednesday, 29 April 2009

  • "You don't have the power to upset me. You don't matter enough to upset me."

    Written: Tuesday, April 21, 2009.

    Sara Stool

    Making love on the dewy blooms was a quiet event. Her blouse became the wind's left arm and I bound myself to her like the iron design of a horse's shoe. Crystalline, her eyes made moderate advances. The powdery fastening of her bra failed swiftly and my hand, moist with indecision, clamored about her tawny waist. These coral lips poured upon me kisses, pale and pure; these freckled shoulders secured a crevasse in the weeds and held fast to her strong intention. And it is with intention that I secured her fast into the Earth.

    So intricately weaved is the human figure, bones to meat and flesh. Not but today have I ever felt so passionately for her, my darling, and not with precedent. She is a bead of rain in a ravished globe of thievery; a morning glory's pastel delightfulness gleams about her navel, periphery built in peachy fuzz. Thick, latent, strawberry tresses deviate from her peaky brow and collect exclamatory remarks on the edge of her bosom.

    The peculiar rest in unbridled rhythm and stagnation of her breath did not distress me. Instead, my hands grew warm and played with her tenderly shifting textures. “Pose for me, my love, in a plume of lavender, a mosaic of rapidly feasting flora and fauna, and my heart, ethereal, will beat eternally in your favor.”

    A woman's shampoo smells of sweet nothings and harmless infatuations, the rare crimson dyes of blank Hallmark envelopes. Yesterday, these soft curls bounced backwardly about her shoulders; now upon the greenery, they weave in and out of beaky blades like night-crawlers. Her name is Sara, Sara Stool, and she lives about these hills like a wildflower.


     

Wednesday, 17 December 2008

  • "It's better to help people than garden gnomes."

     

    “Peppermint”

    There is only one way to persuade a peppermint
    to taste more like laughter: only one.


    “Posthumously”

    Precursor to the atlas’ end,
    all corroborates a tale, tail unending,
    staffed by postulate means and
    gripping textures.
    What is this, this
    frail conceived glow about you?
    Squares like dancers on your hat,
    mounds of insidious thread
    attached to lively flesh;
    inescapable, breathing faster
    does not help.
    Align your eyes, drive to
    an aérogare, dirty station, with
    a pocket filled with taxi fare
    and derive means from
    hapless heaving,
    posthumously.


    “Evasive”

    My jeans are too big
    and you reach into them
    to make change.

     

Thursday, 30 October 2008

  • "We live in twos where the bottom of the shark is white so as to not be seen from below."


    "Hen"

    And a pomegranate seed could not produce more laughter,
    your feet protrude nicely from beneath the table and I notice
    the spontaneous overflow of impatient freckles rising like braille
    from your intricate flesh - fall out from pretenses!
    Squelch taste, budding like a rosy fern across a balcony railing,
    wailing like a powdered hen tossing out her nest.


    "Ink"

    The granular size of your being
    does not frighten me
    or drive me mad;
    I seize speckled scissors
    with furious claws
    and cut lines,
    following inked patterns
    of blue-ish gray,
    a star gazer's color,
    and your trousers
    seem to shed
    like snake skin
    across your toes,
    onto the floor of your car.


    "Squares"

    Spectacularly colored, the bruises
    on my thighs do not fade,
    the handprints on my shoulder
    remain like an artist's prayer,
    thin lines designed throughout in a
    pattern of perverse display:
    squares on my eyelids, buoyant
    green bastards beneath them.

     

Saturday, 11 October 2008

  • "Remember three months from this date."

    "Good things are in store for you.
    LUCKY NUMBERS: 1, 6, 11, 14, 20, 36. "

    "Tablecloth"

    The flat pigment of your feet splashes
    against concrete like the thick orgasm
    of a flailing prostitute, pastel
    phonemes struggling beneath her skin;
    her throat, a gorgeous, slightly arched
    shape, seamlessly mantles itself
    within the napery’s feeble fabric.

     

    "Now"

    You are absent
    but implied:
    an apostrophe
    where a vowel should be.

     

    "Beautiful"

    There is something glistening in the dark,
    a glass eye, a brooding bead, a flairing pulse,
    perhaps the moon curdles on the bed sheets
    to slumber and wake, withered like lettuce
    leaves, by the twilight's shadowy denouement.

    Arrest him! He is a man of means, a sharp
    and pointed object rests on the edge of his spine,
    whimsically perches out of range, feeble reach.

    You sit, unresolved, clinging to pages and
    roughy sewn fabrics and elaborate on your
    daydreams, such playful nightmares, wringing
    rhymes from the warehouse that is your skull.

     

Tuesday, 09 September 2008

  • "You can get what you want or you can just get old..."

    "...you're gonna kick off before you even get half through."

    "Assembly"

    Lingering like the loathed stench of
    an unaltered land-fill, you quench
    your thirst by the sweet sweat
    beading around my ears,
    trapped in the crevasses around
    my unemployed chin, slithering
    relentlessly about the bones at
    it's basin, the collared rim of my
    face; the onyx dilation of your eye
    diverts my attention, there is
    suitable interest in your grin,
    a devious and slightly nefarious thing
    that disperses throughout me like
    a cancerous assembly of freckles,
    elements by which you entertain your
    guest, your audience of one, me.

     

    "Mother"

    There, by the ravaged porte-clef,
    a nesting mother perches;
    her eight limbs weaving wooly warmth
    for her young.
    The chambers of her heart,
    more frail than the smallest of beads,
    whisper incantations,
    savory lullabies,
    luckless soliloquies.
    And the flies do not know that their
    fate is to feed this worn-out parent,
    sitting silent and still long enough
    that her prickly feet collect
    dusty particles from the air; but,
    fleeing from the Dusk's decent
    upon the Earth, scouring for the
    nearest, warmest pillow to rest upon,
    ensomeille and undisturbed,
    the flies will fall to fate,
    throw themselves willingly at the
    speckled spit-glossed fabric,
    entabgle limb and lung alike
    and stray from life like the
    fantastical phantoms that remain
    after their immolation to the mother,
    guardian of a thousand unborn,
    cellular imitations -
    encapsulations.

     

    "Oblong"

    Icicle lights, like stethoscopes stretched keenly
    over the shoulder of a small child, dribble
    from porch rails, dangle over stairways,
    eyebrows furrowed more so than the dirty
    crevasse of an eighty-year-old crippled man.

    The skyline is oblong, elliptical, like our pupils,
    desperate to be touched by the starry sentences
    that slither from fingertips, silvery threads
    entrenched, immersed, in such impracticality.

     

     

Wednesday, 23 July 2008

  • "Good evening, ladies and gentlemen."

    "We're tonight's entertainment."

    "Indigo"

    Keep your sweaty palm still a little longer,
    pressuring my hip like an indigo crayon sweeping the
    edge of its cardborad Crayola box,
    and you will hear the rough reverberation, the
    immutable inclination of movement and
    swift consolation of lateral and linear exasperation.



    "Underbelly"

    And, rendered wordless,
    you seek out the emptiest lawn chairs,
    place your cock-eyed bottom on
    the interweaved plastic fabric and
    glare at flaming totems full
    of insect-repellant; the pool drapes
    neatly across the grassy evening,
    intricately anticipates the
    moment in which its seamless skin
    will shatter all about the concrete
    surroundings and you watch as its soft
    underbelly becomes tangled in the wrath
    of glassy fustration, the cold and
    un-clad elongation of what should
    have been amusement.



     "Erosion"

    Your eyes,
    as large as pale planets,
    erode my smile;
    they weep and wash
    away what Windex
    could not muster the
    strength to erase
    and you merely
    wait for
    something more
    to gallop by,
    for some less guttural
    moan to quench
    the darkness' thirst.

Friday, 04 July 2008

  • "I don't want to survive. I want to live."


    "Not in photographs"

    Justice cannot be found in photographs
    or the frail skin of a shallow pool of water;
    feeble whites wade outside of circular,
    aquamarine queries stapled to a pensive,
    grey mind, matter of marble-like nostalgia,
    cold, quiet, and contemporary, with a black
    spectacle, speck, like a pin-head, the pinnacle
    of the entirety of the softly, slowly, rising
    sun that rests sweetly behind your smile.


    "Flowers"

    Petals -
    frail, fleshy, fibrous -
    flee from pastoral landscapes,
    invade urban daydreams
    and crawl, fists clenched,
    down city streets;
    climb, teeth gritted, through
    piles of bricks and
    dust, scaling silent towers,
    triumphant collections
    of glass and metal,
    and scurry upward between
    cracks like the irregular
    movement of an
    upset bowel.


    "Migraine"

    The lighting is that of small, frail frames
    of shimmering insects, oxygen billowing like
    smoky illustrations of fauvist figures
    dissipating in a lavish field of flowery filigree
    within an apiculate fever of an exalting exhale.
    In the corner, peevish prattle articulates a
    mild migraine of meandering widgets.
    Smoking cigarettes, the treeline seems
    to wobble feebly in the dusky evening air;
    all the while, the lighting does not sway or
    change and the fauvist fever of your rage
    descends the staircase of an illusory chatter.

Wednesday, 18 June 2008

  • "Age is a terrible thief. Just when you are getting the hang of life, ... "

    "... it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse."


    "North-eastern winter day"

    Snow plows rained down on city streets
    in the quiet of afternoons and
    widdled away white powder
    like wooden spoons tweezing the edges
    of a brownie bowl's nightmarish eyebrow.



    "I turned out my pockets,"

    And
    all that fell was
    silence.



    "Styrofoam cup"

    A grimace,
    like a styrofoam cup,
    peaks at the moment
    it contains hot 'jo.

    Good morning to you, Sir.
    Good morning, you know?

Friday, 13 June 2008

  • "One of the few good things about modern times: If you die horribly on television, ... "

    "... you will not have died in vain. You will have entertained us."

    "Fruit"

    Yesterday,
    I had pineapple,
    tiny cubes of
    pale pigmented
    shreds of tropical
    flesh in the palm
    of my hand,
    in the corner
    of my mouth,
    in the 'tweens
    of my teeth;
    and there is
    pineapple
    on the counter
    still, where
    you squint
    as you wake,
    where we twinge
    as we stir
    our own flesh
    into movement,
    like stale potato
    chips, not
    quite correctly,
    and bring our
    toes to the
    linoleum surface
    of yesterday's
    passionate
    eventfulness
    that began
    for the likes
    of fruit.

    "A story in twelve parts, twelve stories."

    You had a long day; after
    stretching out in front of the fireplace,
    you began telling the tales.
    And you revealed it all to me in the most
    queer and spectacular events.

    It was like gnawing on a crooked
    door hinge, you said, "no".
    But all I remember is the palm of your hand
    brushing over the tear that waded out into the
    dangerous beaches of my cheek.

    I sat down and said, "I'm sorry".
    But, it was far too late.
    The stars gaped down in awe and amusement,
    giggling at what little pride I had left and
    announced that they soon would steal that as well.

    Like butterbeans, your sweet skin reflected
    morsels of light like liquidy remnants of
    some thin, god-like smile.
    You know what I mean?
    Corks rang out.
    Bells chimed.
    You were made just in time.

    There were socks on the bed,
    two pairs intermingling with the effects
    of our passionate embrace.

    It was all so pleasing to me.
    You turned and said, "Would you - "
    and I said, "Certainly."

    But beyond bath tissue, we never spoke.
    I always wondered why we lived in the same home.
    Smoking, eating, dreaming under the same
    roof when all that mattered was what
    maintained the absence of
    shit stains on the living room sofa.

    Oranges rolled out of lipped bowls
    faster than you could piss. There were days
    that I would wet myself imagining that you
    could go without the impairment of hesitation.

    Our toes melted together like ice cubes after
    we made love the first time, inseperable
    spindles of pure neurotic passion
    in two tiny, teenage structures.

    Out front, there was a license plate that read,
    "A27X4G" and it meant nothing to me. So,
    when you paid three bucks to let a shark eat
    it for breakfast, what the fuck did I care?

    I reached out and touched your penis as
    you slept, the edge of your thigh cold with the
    illusion of innocence as you waited, war-like,
    to determine whether I would wake you.

    "Well, it's about damn time!" I said, buttoning the
    last button on the sleeve of your shirt. "Only
    teenage girls take larger amounts of time
    to get dressed for a supper out."
    You smacked my butt. We kissed and hurried
    out the front door hand-in-hand.

    "The Wheat Blossom"

    You sit like a lantern
    on the stoop -
    shadowed by the rectangular
    well of walls,
    beading like a frosted glass
    in the hellish warmth.

    You appear like a star -
    so very far away
    but,
    I can see fragments of you
    at night
    when no one else can.

    You leap like a kitchen stove -
    coiled tight
    until
    the very moment that
    you intend to strike.

    You are like fresh tears
    brought on
    by an early morning yawn
    after a long,
    lovely night.

    You belong like a wheat blossom -
    untameable, untouchable;
    descending like a late
    afternoon drizzle,
    unkept, unruly, undone,
    and yet so magnificent.

     

xdead_season

  • Visit xdead_season's Xanga Site
    • Name: Ami
    • Metro:
    • Birthday: 5/25/1989
    • Gender: Female
    • Member Since: 5/31/2005

About Me

  • Me- Pronoun, Objective case of I. "We do not read and write poetry because it is cute. We read and write poetry because we are members of the human race."

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